A Companion to Chinese Art by Martin J. Powers, Katherine R. Tsiang

By Martin J. Powers, Katherine R. Tsiang

Exploring the heritage of paintings in China from its earliest incarnations to the current day, this accomplished quantity comprises dozen newly-commissioned essays spanning the theories, genres, and media principal to chinese language artwork and conception all through its heritage. presents an excellent number of essays selling a comparative knowing of China’s lengthy checklist of cultural construction Brings jointly a global staff of students from East and West, whose contributions variety from an outline of pre-modern conception, to these exploring calligraphy, wonderful portray, sculpture, add-ons, and extra Articulates the course during which the sector of chinese language paintings historical past is relocating, in addition to offering a roadmap for historians attracted to comparative examine or idea Proposes new and revisionist interpretations of the literati culture, which has lengthy been a huge staple of chinese language paintings background bargains a wealthy perception into China’s social and political associations, spiritual and cultural practices, and highbrow traditions, along chinese language paintings background, idea, and feedback

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Extra resources for A Companion to Chinese Art

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How did the organization of court painting compare to the organization of literary projects or court rituals? Does an understanding of court politics explain why better paintings were made in one period rather than another? Did emperors’ personal understanding or appreciation of painting make much of a difference, or was the institutional structure so sturdy that standards would be preserved even during the reigns of indifferent emperors? In this chapter, I consider court painting from both perspectives.

Martin Powers examines ways in which artistic production was invested with the power to demarcate social distinctions and to create changes in the social agency of artisans and artists as well as their clients. Though in ancient China, most artisans served the hereditary nobility, by the end of the first millennium BCE artisans recognized as ingenious and skilled were able to acquire social status and some degree of artistic license. In the early imperial period, during the Han dynasty (206 BCE–220 CE), artisans labored in workshops in many parts of the empire to supply the court.

Neither this volume nor any other offers a panacea for that debate. Nonetheless, the best cure for sophistry is a good dose of the facts, and the chapters in this volume provide the most essential information and the latest thinking on core topics in the history of art for those who wish to acquire a thoughtful understanding of the situation in China in 30 pages or less. We do not claim that this collection offers a comprehensive reference for the art of China. Excellent publications in that genre by Richard Vinograd and Robert Thorpe, or Craig Clunas, already exist.

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A Companion to Chinese Art by Martin J. Powers, Katherine R. Tsiang
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