A History of Western Art by Laurie Adams

By Laurie Adams

Applicable for one-semester paintings heritage surveys or historically-focused artwork appreciation periods, A background of Western Art, 5th version, combines sound scholarship, lavish visuals, and a full of life narrative to supply scholars with an available and fascinating advent to paintings historical past. targeting the Western canon, the textual content provides a compelling chronological narrative from prehistory to the current. A non-Western complement, World perspectives: subject matters in Non-Western Art, addresses particular components of non-Western artwork and augments the Western chronology via illustrating moments of thematic relationships and cross-cultural touch.

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These conventions draw a parallel between artists and gods, especially in the ability to create illusion. They also include episodes in which an older artist recognizes talent in a child destined to become great, the renunciation of one’s art (or even suicide) when confronted with the work of superior artists, sibling rivalry between artists, artists who are rescued from danger by their talent, and women as muses for (male) artists. Whistler’s portrait of his mother (see fig. 6) obviously has autobiographical meaning.

Fire had been in use for some 600,000 years, and there is evidence of hearths in Paleolithic homes. Although the invention of writing was still far off, people made symbolic marks on hard surfaces, such as bone and stone, possibly to keep track of time. The sophistication of Paleolithic art suggests that language —the ability to communicate with words and tell stories— had also developed, and language in itself requires a sense of sequence and time. c. Before that time, objects were made primarily for utilitarian purposes, although many have aesthetic qualities.

The scale of these elements in relation to the whole is quite large, while the facial features, neck, and lower legs are technique Carving Carving is a subtractive technique in which a sculptor uses a sharp instrument such as a knife, gouge, or chisel to remove material from a hard substance such as bone, wood, or stone. After an image is shaped, it can be sanded, filed, or polished. The Venus of Willendorf was not polished, although some Paleolithic sculptures were. It is made of limestone, which does not polish as well as other types of stone.

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A History of Western Art by Laurie Adams
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